Scripps College announces the hiring of 11 new tenure-track faculty members with the start of the 2016-17 academic year. Their expertise includes a wide range of areas such as development economics, race politics, classical modernism, Cuban womanhood in Havana, the evolutionary drivers of biodiversity, and the prioritization of positivity.
“This group of educators contributes wonderfully to the excellence in teaching and depth of scholarship for which Scripps is known,” said Amy Marcus-Newhall, Vice President for Academic Affairs and Dean of Faculty. “We are pleased to welcome them to the Scripps community.”
The newest tenure-track faculty of Scripps College follow:
Gabriela Bacsan
Gabriela Bacsan is an assistant professor in the Department of Spanish, Latin American, and Caribbean Literatures and Cultures at Scripps College. She earned her BA in Spanish and Latin American literatures and political science at UC Berkeley. She completed her MA and PhD in literature, with a specialization in Latin American cultural studies, at UC San Diego. Bacsan’s fields of interest are Caribbean studies, transnational and intersectional representations and conceptualizations of queerness in Latin America, historical memory studies, critical geographies, and tourism studies. Her research centers on Cuban literatures and cultures with a focus on the intersections of gender, race, and sexuality. Bacsan’s book project examines how contemporary cultural productions by Cuban women both within the island and in the diaspora explore and challenge contemporary transformations of urban space, the effects of migration, and the implications of post-soviet subject formation of Cuban womanhood in Havana since the 1990s. One of the articles she is currently preparing for publication examines the Cuban Ministry of Tourism’s current marketing campaign, focusing specifically on how gender, race, and authenticity are deployed to sell the island as paradise.
Nayana Bose
Lahnna Catalino
Wendy Cheng
Findley Finseth
Marino Forlino
Jenna Monroy
Tessie Prakas
Maryan Soliman
Kevin Vennemann
Kevin Vennemann is an assistant professor in the Department of German Studies at Scripps College. He received his BA and MA in literature and history from Free University of Berlin in 2006, and a PhD in German from New York University in 2015. His fields of interest include 19th century comparative literature, theories of landscape, theories of fatigue and exhaustion, Holocaust studies, and art and architectural criticism. His most recent book, Sunset Boulevard. On Filming, Building, and Dying in Los Angeles (published in German in 2012), is an essayistic inquiry into the history of Hollywood cinema and the city of Los Angeles at the intersections of architecture, film, and race politics. A current book project examines the colonial Western gaze on the “noble poverty” of Japanese aesthetics and architecture as represented in travel accounts by Western visitors to early-modern Japan. His editorial and translation work includes volumes of fiction and nonfiction by Chris Kraus, Mark Greif, Franco Berardi, Milton Rokeach, and Else Lasker-Schüler.
Carlin Wing
Carlin Wing is an assistant professor in the Intercollegiate Department of Media Studies at Scripps College. She earned her AB in visual and environmental studies and social anthropology at Harvard University, her MFA in photography and media at CalArts, and her PhD in media, culture, and communication at NYU. Her areas of interest include media and communication, science and technology, material culture, globalization, performance, disability, and play, games, and sport. Her book project, tentatively titled, Bounce: The Material Certainty of Sporting Chance, examines the history of bounce as a cultural technique and technology of interaction. The book project serves, in turn, as a historical and theoretical iteration of her ongoing project Hitting Walls, which consists of works made in a variety of media and forms, including large format photographs, webgrabs, experimental videos, sound installations, performances, texts, academic presentations, and participatory events. She has exhibited her work nationally and internationally, and has published writing in Games and Culture, Public Books, Cabinet, Art Lies, and The Bulletin of the Serving Library.