Newsroom
Aug. 5, 2022
In the Media: Dwandalyn Reece ’85 Gives TED Talk on Origins of Blackface and Stereotypes
Read MoreFeb. 4, 2022
Dwandalyn Reece ’85 Testifies Before Congress on Importance of “Lift Every Voice and Sing”
Read MoreAug. 16, 2021
Newsroom
National Museum of African American History and Culture
In the Media: Dwandalyn Reece ’85 Gives TED Talk on Origins of Blackface and Stereotypes
“These stereotypes were a powerful reinforcement of the ideas of white supremacy and Black inferiority,” Reece says.
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Dwandalyn Reece ’85 Testifies Before Congress on Importance of “Lift Every Voice and Sing”
Dwandalyn Reece ’85 testified before the US House of Representatives’ Subcommittee on the Constitution, Civil Rights, and Civil Liberties regarding the history and importance of the hymn “Lift Every Voice and Sing.”
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In the Media: Dwandalyn Reece ’85 to Discuss New Smithsonian Project at Washington Post Event
Trustee Dwandalyn Reece ’85, associate director of curatorial affairs and curator of music at the Smithsonian Institution’s National Museum of African American History and Culture, will discuss the museum’s new project, “The Anthology of Hip-Hop and Rap,” at a virtual event hosted by the Washington Post.
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In the Media: Dwandalyn Reece ’85 Curates Playlist of Black Music on NPR
Trustee Dwandalyn Reece ’85, associate director of curatorial affairs and curator of music at the Smithsonian Institution’s National Museum of African American History and Culture, assembled a playlist for NPR’s Tiny Desk Playlist series. “A celebration of African-American music must acknowledge the underpinnings of the quest for freedom and justice that the music represents,” she said.
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In the Media: Smithsonian Curator Dr. Dwandalyn Reece ’85 Discusses Legacy of Blackface, CBS, NPR
Dr. Dwandalyn Reece ’85, curator of music and performing arts at the Smithsonian Institution’s National Museum of African American History and Culture, was on CBS This Morning discussing the history of blackface— the practice of white performers using black makeup on their faces to caricature Black Americans.
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